"Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano)" by César Franck, Nikolai Lugansky was released on March 6, 2020. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 10 in Franck: Préludes, Fugues & Chorals by César Franck, Nikolai Lugansky. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) by César Franck, Nikolai Lugansky is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Mozart: String Quintet No. 4 in G Minor, K. 516: III. Adagio ma non troppo | Wolfgang Amadeus Mozart, Quatuor Ébène, Antoine Tamestit | E♭ Major | 0 | 5B | 82 BPM | ||
Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM |
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