"Le dernier jour d'un condamné / Acte I: Cinq semaines avec cette pensée" by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 2 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Cinq semaines avec cette pensée is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Cinq semaines avec cette pensée by David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Rigoletto - Si, Vendetta, Tremenda Vendetta | Piero Cappuccilli, Margherita Rinaldi | A♭ Major | 3 | 4B | 78 BPM | ||
Blessed from Amazon | Christopher P Sly | C Major | 3 | 8B | 85 BPM | ||
Con te partirò - uit Ik Vraag Het Aan | Astrid Stockman | G Major | 4 | 9B | 101 BPM | ||
La via | Dmitri Hvorostovsky | F Minor | 7 | 4A | 134 BPM | ||
Casta Diva | OperaBabes | D Minor | 3 | 7A | 67 BPM | ||
Océan | Channing Geoffrey | D♭ Major | 0 | 3B | 64 BPM | ||
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
Le dernier jour d'un condamné / Acte I: Interlude | David Alagna, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM | ||
Moldau - Excerpt | Orchestre national d'île-de-France | E Minor | 2 | 9A | 62 BPM |