Jakob Friedrich Kleinknecht, Ildiko Kertesz, Nicholas Selo, Geoffrey Thomas made "Sonata da camera in C Major, Op. 1, No. 1: I. Larghetto" available on January 1, 2000. The duration of Sonata da camera in C Major, Op. 1, No. 1: I. Larghetto is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Sonata da camera in C Major, Op. 1, No. 1: I. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jakob Friedrich Kleinknecht, Various Artists's "Kleinknecht, J.F.: Sonatas Da Camera, Op. 1" album is number 10 out of 18. On top of that, Germany appears to be the country where this track was created. Sonata da camera in C Major, Op. 1, No. 1: I. Larghetto is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata da camera in C Major, Op. 1, No. 1: I. Larghetto by Jakob Friedrich Kleinknecht, Ildiko Kertesz, Nicholas Selo, Geoffrey Thomas to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata V in B-Flat Major: Sonata V in B-Flat Major: II. Allegro | Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier | A Minor | 0 | 8A | 70 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Galliard in G Minor a 3 (23) | Orlando Gibbons, L'Achéron, François Joubert-Caillet | A Major | 1 | 11B | 142 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sett in D Minor, Op. 2: V. Jigg | James Paisible, Musica Barocca | E Major | 1 | 12B | 123 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
The Indian Queen, Z. 630 / Act III: Rondeau | Henry Purcell, Notturna, Christopher Palameta | A♭ Major | 2 | 4B | 124 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |
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