Rolf Schweizer's 'Die Flötenuhr, 1792: IV. Andante' came out on 1991. With Die Flötenuhr, 1792: IV. Andante being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 8 out of 23. In terms of popularity, Die Flötenuhr, 1792: IV. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Flötenuhr, 1792: IV. Andante by Rolf Schweizer to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM | ||
Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ouverture No. 6 in G Minor: VII. Air Gigue | Philipp Heinrich Erlebach, Concerto Stella Matutina, Alfredo Bernardini | A♭ Minor | 4 | 1A | 109 BPM | ||
Ah Holy Jesu | Andrey Jackson | D Major | 1 | 10B | 138 BPM | ||
Aus meines Herzens Grunde | Anonymous, Evangelischen Singschule Pforzheim Jugendkantorei und Schlagwerkgruppe, Rolf Schweizer | G Major | 1 | 9B | 128 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Benedictus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 95 BPM | ||
Paulus, Op.36, MWV A14 / Part 1: No.16 Choral: "Wachet auf! ruft uns die Stimme" | Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur | D Major | 2 | 10B | 94 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM |
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