Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick made "Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Benedictus" available on January 1, 2007. The duration of Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Benedictus is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn's "Haydn: Mass No. 2 in F Major, "Missa Brevis" / Mass No. 3 in C Major, "Missa Cellensis"" album is number 5 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Benedictus is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Benedictus by Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: IX. Hornpipe | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 1 | 12A | 203 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
String Quartet in E-Flat Major, Op. 71 No. 3: I. Vivace | Franz Joseph Haydn, Maxwell Quartet | E♭ Major | 1 | 5B | 136 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Octet In F Major, Op.166, D.803: 5. Menuetto | Franz Schubert, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch, Eduard Brunner, Radovan Vlatkovic, Klaus Thunemann | F Minor | 2 | 4A | 107 BPM |
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