On October 18, 2010, the song "The Nutcracker, Op. 71, Act II, Scene XII: Trepak (Russian Dance)" was released by The City of Prague Philharmonic Orchestra, Friedmann Riehle. With The Nutcracker, Op. 71, Act II, Scene XII: Trepak (Russian Dance) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 17 in Classical Christmas: Greatest Orchestral Holiday Classics by Various Artists. The Nutcracker, Op. 71, Act II, Scene XII: Trepak (Russian Dance) is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Nutcracker, Op. 71, Act II, Scene XII: Trepak (Russian Dance) by The City of Prague Philharmonic Orchestra, Friedmann Riehle is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Nutcracker, Op. 71: Act I. Waltz Of The Snowflakes | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | E Minor | 1 | 9A | 93 BPM | ||
Swan Lake, Op. 20a: III. Danse des cygnes | Radio Bratislava Symphony Orchestra | D Minor | 8 | 7A | 149 BPM | ||
Variation V & VI - Turning the Tide and Bedeviled | Lior Rosner, Scott Dunn, Royal Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Good King Wenceslas | The City of Prague Philharmonic Brass, Friedmann Riehle | G Major | 0 | 9B | 167 BPM | ||
In natali Domini (a 4) | Michael Praetorius, Viva-Voce | F Major | 1 | 7B | 113 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | G Minor | 0 | 6A | 86 BPM | ||
End Titles - The Theme That Got Left in the Car | David Arnold | C Major | 0 | 8B | 86 BPM | ||
20 Polish Christmas Carols: Angels to the shepherds came | Witold Lutosławski, Olga Pasichnyk, Polish Radio Choir, Polish National Radio Symphony Orchestra, Antoni Wit | F♯ Major | 1 | 2B | 83 BPM | ||
Shchedryk (Epiphany Carol), "Carol of the Bells" (arr. S. Cox for 3 trumpets and valve trombone) | Mykola Dmytrovych Leontovych, Simon Cox, Septura | C Major | 2 | 8B | 52 BPM | ||
Violin Concerto In E, RV 271 "L'amoroso": 3. Allegro | Antonio Vivaldi, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 172 BPM |
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