"In natali Domini (a 4)" by Michael Praetorius, Viva-Voce was released on October 31, 1999. With In natali Domini (a 4) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Praetorius, M.: Puer Natus in Bethlehem (Renaissance Christmas Music)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, In natali Domini (a 4) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In natali Domini (a 4) by Michael Praetorius, Viva-Voce having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christians Awake | John Wainwright, Tewkesbury Abbey Choir, Andrew Sackett | C Major | 2 | 8B | 119 BPM | ||
How shall I fitly meet thee? | Johann Sebastian Bach, Choir of King's College, Cambridge, Daniel Hyde | C Minor | 1 | 5A | 68 BPM | ||
What cheer? | William Walton, The Cambridge Singers, John Rutter | D Major | 1 | 10B | 166 BPM | ||
Ave maris stella | Edvard Grieg, RIAS Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 129 BPM | ||
O Magnum Mysterium | Tomás Luis de Victoria, New York Polyphony | F Minor | 1 | 4A | 79 BPM | ||
Alleluia | Robert Shaw, Robert Shaw Chamber Singers | D Major | 1 | 10B | 134 BPM | ||
Sussex Carol (On Christmas Night) | Choir of King's College, Cambridge, Sir David Willcocks | G Major | 2 | 9B | 113 BPM | ||
Seeing the Star | Ben Ponniah, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 0 | 9A | 56 BPM | ||
Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 74 BPM | ||
Purcell: Rejoice in the Lord Alway, Z. 49 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Nicholas Hayes, Andrew King, Michael Cockerham, Francis Grier, Academy of St. Martin in the Fields | B Major | 2 | 1B | 82 BPM |
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