20 Polish Christmas Carols: Angels to the shepherds came - Witold Lutosławski, Olga Pasichnyk, Polish Radio Choir, Polish National Radio Symphony Orchestra, Antoni Wit Information

Acousticness: 99%
Danceability: 28%
Energy: 12%
Instrumentalness: 95%
Liveness: 14%
Loudness: 65%
Speechiness: 6%
Valence: 4%
Popularity: 19%
Loudness: -20.955 dB

Summary

"20 Polish Christmas Carols: Angels to the shepherds came" by Witold Lutosławski, Olga Pasichnyk, Polish Radio Choir, Polish National Radio Symphony Orchestra, Antoni Wit was released on October 18, 2005. The duration of 20 Polish Christmas Carols: Angels to the shepherds came is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. 20 Polish Christmas Carols: Angels to the shepherds came's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Witold Lutosławski, Polish Radio Choir, Antoni Wit's "Lutoslawski: 20 Polish Christmas Carols / Lacrimosa / 5 Songs" album is number 1 out of 26. 20 Polish Christmas Carols: Angels to the shepherds came is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

20 Polish Christmas Carols: Angels to the shepherds came BPM

We consider the tempo marking of 20 Polish Christmas Carols: Angels to the shepherds came by Witold Lutosławski, Olga Pasichnyk, Polish Radio Choir, Polish National Radio Symphony Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

20 Polish Christmas Carols: Angels to the shepherds came Key

The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto pour piano	Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement	D Major	2	10B	105 BPM
Symphonic Dances, Op. 64: III. Allegro giocoso	Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner	F Minor	1	4A	73 BPM
Sonata for Violin and Piano: II. Blues / Moderato	Maurice Ravel, Renaud Capuçon, Franck Braley	F Minor	1	4A	114 BPM
Concerto for Piano and Orchestra, Op. 42: I. Andante	Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre Boulez	C Major	2	8B	180 BPM
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro	Carl Reinecke, Jasmine Choi	E Minor	1	9A	108 BPM
Symphony No.1 in E Major, Op. 26: I. Lento	Alexander Scriabin, London Symphony Orchestra, Valery Gergiev	E♭ Major	2	5B	139 BPM
Bartók / Arr. Székely: 3 Hungarian Folksongs from Csík, Sz. 35a: No. 1, The Peacock. Rubato	Béla Bartók, Kalman Berkes, Dezsö Ranki	D Minor	1	7A	95 BPM
Le tombeau de Couperin, M. 68: II. Forlane	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	E♭ Major	0	5B	78 BPM
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	A♭ Minor	0	1A	76 BPM
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse	Karol Szymanowski, Elizabeth Chang, Steven Beck	E♭ Minor	2	2A	174 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7900567054748535

End: 0.7938036918640137