The City of Prague Philharmonic Brass, Friedmann Riehle made "Good King Wenceslas" available on October 18, 2010. With Good King Wenceslas being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 17 in Classical Christmas: Greatest Orchestral Holiday Classics by Various Artists. The popularity of Good King Wenceslas is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Good King Wenceslas by The City of Prague Philharmonic Brass, Friedmann Riehle is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A La Away In A Manger | EMH Classical Music / Czech Symphony Chamber Group | F Minor | 2 | 4A | 141 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": V. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | G Minor | 1 | 6A | 116 BPM | ||
12 Concerti grossi, Op. 6, HWV 319-330 / Concerto grosso In E Minor, Op. 6, No. 3, HWV 321: I. Larghetto | George Frideric Handel, Leon Spierer, Emil Maas, Ottomar Borwitzky, Horst Goebel, Edith Picht-Axenfeld, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 93 BPM | ||
Ave Maria | Vienna Boys' Choir | B♭ Major | 0 | 6B | 118 BPM | ||
Messiah / Part 1: "Then shall the eyes of the blind...He shall feed his flock" | George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 88 BPM | ||
Oratorio de Noël, Op. 12: No. 7 Tecum principium | Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Jens Hamann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | E Major | 2 | 12B | 169 BPM | ||
Solomon HWV 67 / Act 3: The Arrival Of The Queen Of Sheba | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 117 BPM | ||
Swan Lake, Op. 20a: VII. Danse napolitaine | Radio Bratislava Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
The Nutcracker, Op. 71: Act I Tableau 1: Scene and Grandfather's Dance | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | G Major | 0 | 9B | 80 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 0 | 12B | 117 BPM |
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