Modo Antiquo, Federico Maria Sardelli made "Concerto VIII in Re minore RV 127: Allegro" available on January 26, 2007. With Concerto VIII in Re minore RV 127: Allegro being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #21 out of 35 tracks. Based on our statistics, Concerto VIII in Re minore RV 127: Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Concerto VIII in Re minore RV 127: Allegro by Modo Antiquo, Federico Maria Sardelli has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto VIII in Re minore RV 127: Allegro being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse / Act 1: "Ombra mai fù" | George Frideric Handel, Ildebrando D'Arcangelo, Modo Antiquo, Federico Maria Sardelli | D Major | 0 | 10B | 173 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: III. Allegro | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D♭ Minor | 1 | 12A | 90 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Concerto in A Minor for Four Harpsichords, BWV 1065: III. Allegro | Johann Sebastian Bach, Apollo's Fire, Jeannette Sorrel | F♯ Major | 4 | 2B | 111 BPM | ||
Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave | Georg Muffat, Musica Aeterna, Peter Zajicek | E Major | 1 | 12B | 171 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto for Violin and Strings in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90 | A Minor | 2 | 8A | 123 BPM |
Section: 0.5407071113586426
End: 0.5441863536834717