Giuseppe Sammartini, Dan Laurin, Parnassus Avenue made "Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro" available on January 31, 2003. With Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 31 in Corelli / Veracini / Sammartini: Baroque Music for Recorder by Dan Laurin, Parnassus Avenue. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro by Giuseppe Sammartini, Dan Laurin, Parnassus Avenue is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Sonata in F Minor: I. Andante | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 1 | 12A | 122 BPM | ||
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 113 BPM | ||
Sonata No. 7 in F Major: III. Allegro spiritoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro | Tomaso Albinoni, London Baroque | D♭ Minor | 2 | 12A | 138 BPM |
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