"Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave" by Georg Muffat, Musica Aeterna, Peter Zajicek was released on January 14, 2002. The duration of Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georg Muffat's "Muffat: Concerti Grossi Nos. 7 - 12" album is number 7 out of 30. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave by Georg Muffat, Musica Aeterna, Peter Zajicek to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerto grosso No. 9 in C Minor, "Victoria Maesta": Aria - Allegro | Georg Muffat, Musica Aeterna, Peter Zajicek | B Minor | 2 | 10A | 64 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM |
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