Gabriel Fauré, Markus Klinko's 'Fauré: Impromptu, Op. 86' came out on May 19, 2024. Since Fauré: Impromptu, Op. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Markus Klinko, Albert Roussel, Camille Saint-Saëns, Claude Debussy, Erik Satie, Gabriel Fauré, Jacques Ibert's "Musique française pour harpe: Satie, Debussy, Saint-Saëns, Fauré..." album is number 6 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Fauré: Impromptu, Op. 86 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fauré: Impromptu, Op. 86 by Gabriel Fauré, Markus Klinko to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in C Minor: II. Andantino | Ralph Vaughan Williams, Verdi Quartett | G Major | 0 | 9B | 86 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco | Adam Falckenhagen, Andrew Maginley | G Major | 3 | 9B | 104 BPM | ||
Pour le piano, L. 95: II. Sarabande (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Ave Maria for String Quartet | Leone Sinigaglia, Archos Quartet | A Major | 0 | 11B | 165 BPM | ||
Pieces in G Major: I. Prélude | Robert de Visée, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
月の光 〜「ベルガマスク組曲」〜 | スザンナ・ミルドニアン | D♭ Major | 0 | 3B | 108 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella | Giulio Caccini, Umberto Clerici, Karin Schaupp | D♭ Minor | 1 | 12A | 73 BPM |
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