Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella
Giulio Caccini, Umberto Clerici, Karin Schaupp
Mellow Cello
3:19 October 27, 2023
BPM
73
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella - Giulio Caccini, Umberto Clerici, Karin Schaupp Information

Acousticness
98%
Danceability
17%
Energy
5%
Instrumentalness
73%
Liveness
12%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.018 dB

Summary

"Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella" by Giulio Caccini, Umberto Clerici, Karin Schaupp was released on October 27, 2023. The duration of Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella is about 3 minutes long, at 3:19. Based on our data, "Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Mellow Cello" album is number 14 out of 33. On top of that, Australia appears to be the country where this track was created. Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella BPM

We consider the tempo marking of Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella by Giulio Caccini, Umberto Clerici, Karin Schaupp to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lo frate 'nnamorato: II. Andante by Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoLo frate 'nnamorato: II. AndanteGiovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoE Minor59A165 BPM
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva"Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni AntoniniF Major17B176 BPM
Delibes: Lakmé, Act 2: Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé)Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les SièclesA Major111B70 BPM
Eia Mater: Andantino by Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara MingardoEia Mater: AndantinoGiovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara MingardoE Minor09A0 BPM
Carmina Burana: No. 21, In trutina by Carl Orff, Simona SaturovaCarmina Burana: No. 21, In trutinaCarl Orff, Simona SaturovaD Major010B80 BPM
Miserere, ZWV 57: I. Miserere I by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: I. Miserere IJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánB Minor310A75 BPM
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] by Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaZigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German]Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaB♭ Major16B111 BPM
Hasse: Sanctus Petrus et Sancta Maria Magdalena: Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!"Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroD Major310B75 BPM
Ciaccona by Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de CamboulasCiacconaJohann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de CamboulasA Minor18A80 BPM
Ave Maria by Orereta abesbatza, Giulio CacciniAve MariaOrereta abesbatza, Giulio CacciniF Minor14A77 BPM
ISRC
AUAB01850124
Label
L-M Records/RCA Records

Section: 0.6905667781829834

End: 0.6961784362792969