"Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella" by Giulio Caccini, Umberto Clerici, Karin Schaupp was released on October 27, 2023. The duration of Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella is about 3 minutes long, at 3:19. Based on our data, "Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Mellow Cello" album is number 14 out of 33. On top of that, Australia appears to be the country where this track was created. Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three 17th-Century Airs (Arr. for High Voice and Guitar by John Runge): No. 1, Amarilli mia bella by Giulio Caccini, Umberto Clerici, Karin Schaupp to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova | D Major | 0 | 10B | 80 BPM | ||
Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Ave Maria | Orereta abesbatza, Giulio Caccini | F Minor | 1 | 4A | 77 BPM |
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