Adam Falckenhagen, Andrew Maginley made "Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco" available on January 1, 2001. The duration of Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco is about 3 minutes long, at 3:04. Based on our data, "Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 13 in Falckenhagen, A.: Lute Sonatas, Op. 1, Nos. 1, 2, 4 and 6 / Prelude A La Maniere De Carillon / Allemande / Maginley, A.: Reverie by Adam Falckenhagen, Andrew Maginley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco by Adam Falckenhagen, Andrew Maginley is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 115 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Uscita, Ballo Primo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 80 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Gaspar Sanz: Canarios - For Baroque Guitar and Colascione | Gaspar Sanz, Andreas Nachtsheim, Klaus Mader | D♭ Major | 1 | 3B | 173 BPM | ||
Gagliarda ottava | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 0 | 6A | 35 BPM | ||
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Folias echa para mi Señora | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 91 BPM |
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