"Porgy and Bess: My Man’s Gone Now (Arr. for Violin and Piano by Heifetz)" by George Gershwin, 대니 구(Danny Koo) was released on November 2, 2022. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 11 in Connected by 대니 구(Danny Koo). Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. Porgy and Bess: My Man’s Gone Now (Arr. for Violin and Piano by Heifetz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Porgy and Bess: My Man’s Gone Now (Arr. for Violin and Piano by Heifetz) by George Gershwin, 대니 구(Danny Koo) is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Piano Concerto in F Major: I. Allegro | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Major | 2 | 3B | 85 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Ten songs: Let’s call the whole thing off | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | G Major | 1 | 9B | 83 BPM | ||
Trumpet Concerto in E-Flat Major, S. 49: III. Rondo. Allegro | Johann Nepomuk Hummel, Wynton Marsalis, Raymond Leppard, National Philharmonic Orchestra | E♭ Major | 3 | 5B | 148 BPM | ||
Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM | ||
Porgy and Bess, Act 2: I Loves You, Porgy | George Gershwin, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | D♭ Major | 2 | 3B | 70 BPM |
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