George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine's 'Ten songs: Let’s call the whole thing off' came out on February 23, 2024. The duration of Ten songs: Let’s call the whole thing off is about 3 minutes long, at 3:28. Based on our data, "Ten songs: Let’s call the whole thing off" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Gershwin, Pietro Beltrani, Tommaso Ussardi, Orchestra Senzaspine's "George Gershwin: Rhapsody in Blue, Three Preludes, 10 Songs" album is number 12 out of 14. On top of that, Italy appears to be the country where this track was created. Ten songs: Let’s call the whole thing off is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ten songs: Let’s call the whole thing off by George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
3 Preludes (arr. J. Heifetz): No. 1. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | C Minor | 3 | 5A | 102 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Maurizio Pollini | G Minor | 0 | 6A | 112 BPM | ||
Someone To Watch Over Me | George Gershwin, Zubin Mehta, New York Philharmonic | A Major | 1 | 11B | 171 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM | ||
Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM |
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