"MAGNIFICAT: IV. Et misericordia" by Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss was released on October 1, 2014. With this song being about 5 minutes long, at 4:56, "MAGNIFICAT: IV. Et misericordia" by Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Øyvind Gimse's "Magnificat" album is number 4 out of 10. On top of that, Norway appears to be the country where this track was created. MAGNIFICAT: IV. Et misericordia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of MAGNIFICAT: IV. Et misericordia by Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
Eight Part-songs, Op. 119: The Bluebird | Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 176 BPM | ||
The City | Majorstua Kammerkor & Tore Erik Mohn | E♭ Major | 2 | 5B | 88 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) | Ludwig van Beethoven, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi | D Minor | 0 | 7A | 73 BPM | ||
Materna Requiem: 3. Pie Jesu | Rebecca Dale, Trystan, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | G Major | 0 | 9B | 78 BPM | ||
Materna Requiem: 10. In Paradisum: If I Should Go | Rebecca Dale, Kantos Chamber Choir, Clark Rundell | B♭ Major | 1 | 6B | 133 BPM | ||
Rís upp, drottni dýrð | Trio Mediæval, Arve Henriksen | C Major | 0 | 8B | 91 BPM | ||
Mass: II. Kyrie | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | B♭ Major | 2 | 6B | 85 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb: I. Moderato | Joseph Haydn, Alisa Weilerstein, TrondheimSolistene | C Major | 1 | 8B | 72 BPM |
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