"Materna Requiem: 3. Pie Jesu" by Rebecca Dale, Trystan, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell was released on August 31, 2018. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 16 in Dale: Requiem For My Mother by Bádji, Ventus Machina, Simon Folwar, Helge Burggrabe, Deutsches Kammerorchester Berlin, Duncan Ward, Rebecca Dale, Clark Rundell, Louise Alder, Trystan, Kantos Chamber Choir, Royal Liverpool Philharmonic Orchestra, Jeff Atmajian, Nazan Fikret, Cantus Ensemble, The Studio Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Materna Requiem: 3. Pie Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Materna Requiem: 3. Pie Jesu by Rebecca Dale, Trystan, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-Night Vigil, Op. 37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava | C Major | 0 | 8B | 65 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Missa Pange lingua: Kyrie | Josquin des Prez, Stile Antico | C Minor | 2 | 5A | 77 BPM | ||
Piano Concerto in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A Minor | 1 | 8A | 112 BPM | ||
Symphony No. 13 in B-Flat Minor, Op. 113 "Babi Yar": I. Babi Yar. Adagio | Dmitri Shostakovich, Alexander Vinogradov, Royal Liverpool Philharmonic Choir, Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 3 | 7B | 130 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM |
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