"Rís upp, drottni dýrð" by Trio Mediæval, Arve Henriksen was released on March 3, 2017. With Rís upp, drottni dýrð being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Rímur". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rís upp, drottni dýrð is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rís upp, drottni dýrð by Trio Mediæval, Arve Henriksen having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
sopra Passemezzo moderno | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 2 | 9B | 139 BPM | ||
There Will Come Soft Rains | Ēriks Ešenvalds, The Pacific Lutheran Choir Of The West, Richard Nance | A♭ Major | 1 | 4B | 123 BPM | ||
O Sacrum Convivium | Gabriel Jackson, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough | E♭ Major | 0 | 5B | 69 BPM | ||
Miserere: Songs of Mercy and Redemption: 7. Panis Angelicus, Panis Hominum | Karl Jenkins, Stephen Layton, Iestyn Davies, Polyphony, Abel Selaocoe, Britten Sinfonia, Catrin Finch | D Major | 1 | 10B | 98 BPM | ||
Agnus Dei | Imogen Holst, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 1 | 9A | 109 BPM | ||
Cantiga No. 10, "Rosa das rosas": Entre Av'e Eva (CSM 60) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 1 | 8B | 171 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Láta gjalla létt og hátt | Trio Mediæval, Arve Henriksen | D Major | 0 | 10B | 116 BPM | ||
The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): In the dawn of morning | David Lang, Matthew Brown, Los Angeles Master Chorale, Grant Gershon | A♭ Major | 0 | 4B | 136 BPM |
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