Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein's 'Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu' came out on January 1, 1962. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Requiem" album is number 9 out of 14. Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu by Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, John Alldis Choir, BBC Symphony Orchestra, Alan Harverson, Sir Colin Davis | D Minor | 1 | 7A | 82 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" | Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 101 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Benedictus - Live | Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | B Minor | 1 | 10A | 135 BPM | ||
Apollon Musagète (1947 Version) / Second Tableau: Variation d'Apollon Lento | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: Nun schwanden vor dem heiligen Strahle | Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A Major | 1 | 11B | 84 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 105 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Minor | 1 | 1A | 74 BPM | ||
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM |
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