Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist's 'Die Schöpfung Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: Nun schwanden vor dem heiligen Strahle' came out on January 1, 1991. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 2 out of 34. Die Schöpfung Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: Nun schwanden vor dem heiligen Strahle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: Nun schwanden vor dem heiligen Strahle by Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 3, By Thee with Bliss | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | E♭ Major | 0 | 5B | 87 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | D Major | 1 | 10B | 65 BPM | ||
Mass in D, Op.123 "Missa Solemnis": Kyrie: Christe eleison | Ludwig van Beethoven, Cheryl Studer, Jessye Norman, Plácido Domingo, Kurt Moll, Wiener Philharmoniker, James Levine, Leipziger Rundfunkchor, Gert Frischmuth, Swedish Radio Choir, Eric Ericson Chamber Choir, Gustav Sjökvist | G Major | 3 | 9B | 71 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Symphony No. 88 in G Major, Hob. I:88: IV. Finale. Allegro con spirito | Franz Joseph Haydn, Giuseppe Torelli, Leonard Bernstein, Raymond Leppard, New York Philharmonic, English Chamber Orchestra | B♭ Major | 0 | 6B | 165 BPM | ||
Elias, Op. 70, MWV A25, Part II: No. 21, Aria "Höre, Israel, höre des Herrn Stimme" - No. 22, Chorus "Fürchte dich nicht" | Felix Mendelssohn, Soile Isokoski, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
L'elisir d'amore / Act 1: "Ardir! Ha forse il cielo" | Gaetano Donizetti, Gösta Winbergh, Rolando Panerai, Orchestra del Maggio Musicale Fiorentino, Gabriele Ferro | G Major | 3 | 9B | 126 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: IV. Chor mit Sopransolo: "Mit Staunen sieht das Wunderwerk" | Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 3 | 8B | 98 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 83 BPM |
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