Reinhold Glière, Ashild Henriksen, Helsingborg Symphony Orchestra, Hannu Lintu's 'Horn Concerto in B-Flat Major, Op. 91: I. Allegro' came out on October 1, 2010. Horn Concerto in B-Flat Major, Op. 91: I. Allegro appears to be safe for all ages as it is not explicit. The song is number 8 out of 10 in Favourites for Horn and Orchestra by Ashild Henriksen, Hannu Lintu. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Horn Concerto in B-Flat Major, Op. 91: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Horn Concerto in B-Flat Major, Op. 91: I. Allegro by Reinhold Glière, Ashild Henriksen, Helsingborg Symphony Orchestra, Hannu Lintu is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
Act II - Dance Of The Chinese Women | St. Petersburg State Symphony Orchestra, Reinhold Glière | F♯ Major | 2 | 2B | 128 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
Candide Suite (arr. C. Grundman for wind band): I. The Best of All Possible Worlds | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | E♭ Major | 2 | 5B | 127 BPM | ||
English Folk Song Suite: III. March (Folk Songs from Somerset) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Major | 4 | 7B | 82 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
4 Scottish Dances, Op. 59: No. 3, Allegretto | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | G Minor | 0 | 6A | 86 BPM | ||
8 Pieces, Op. 39: No. 2. Gavotte | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | A Major | 1 | 11B | 78 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM |
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