"Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. Since Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25b. Pas de quatre: Variation I (Cinderella and Prince)(Waltz) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | C Major | 2 | 8B | 183 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Serenade In G Major "Eine Kleine Nachtmusik", K. 525: I. Allegro | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | F♯ Major | 0 | 2B | 147 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Jeux d'enfants, Op. 22: V. The Ball | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | A Major | 5 | 11B | 97 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 28c. Pas de deux: Variation I (Prince) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | B Minor | 1 | 10A | 103 BPM |
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