Georges Bizet, Barry Wordsworth, London Symphony Orchestra made "Jeux d'enfants, Op. 22: V. The Ball" available on January 1, 2005. With Jeux d'enfants, Op. 22: V. The Ball being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Saint-Saëns: Carnival of the Animals; Bizet: Jeux d'enfants; Ravel: Mother Goose". In this album, this song's track order is #19. In terms of popularity, Jeux d'enfants, Op. 22: V. The Ball is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Jeux d'enfants, Op. 22: V. The Ball by Georges Bizet, Barry Wordsworth, London Symphony Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | ||
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, David Zinman | B Major | 1 | 1B | 79 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 143 BPM | ||
Luke and Leia | John Williams, London Symphony Orchestra | A Major | 1 | 11B | 92 BPM | ||
Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 127 BPM | ||
Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM | ||
Mos Eisley Spaceport | John Williams, London Symphony Orchestra | A♭ Major | 2 | 4B | 111 BPM | ||
Scenic Journeys | Christopher Palmer, Harry Gregson-Williams, London Symphony Orchestra | D Major | 1 | 10B | 96 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM |
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