"Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #5. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Princess Leia's Theme | John Williams, London Symphony Orchestra | F Major | 1 | 7B | 73 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
Eine kleine Nachtmusik in G major, K 525: I. Allegro | London Symphony Orchestra | G Major | 1 | 9B | 137 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
Coppelia: Act III - La paix (Pas de deux) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 71 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Chorus, London Symphony Orchestra, Geoffrey Simon | F Minor | 0 | 4A | 80 BPM | ||
Wonderland Suite: III. Down the Rabbit-Hole | Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | G Major | 4 | 9B | 133 BPM | ||
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM | ||
Rachmaninov 2nd Piano Concerto | Sergei Rachmaninoff, HAUSER, Robert Ziegler, London Symphony Orchestra | E Major | 2 | 12B | 85 BPM |
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