"The Sleeping Beauty, Op. 66, TH.13 / Act 3: 28c. Pas de deux: Variation I (Prince)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev was released on January 1, 1994. With The Sleeping Beauty, Op. 66, TH.13 / Act 3: 28c. Pas de deux: Variation I (Prince) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Tschaikowsky, Dornröschen". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Sleeping Beauty, Op. 66, TH.13 / Act 3: 28c. Pas de deux: Variation I (Prince) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op. 66, TH.13 / Act 3: 28c. Pas de deux: Variation I (Prince) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 83 BPM | ||
Petite Suite, WD 39: No. 4. Duo: Petit mari, petite femme | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 76 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 3. Allegro con fuoco | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F Major | 0 | 7B | 107 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 1 | 7A | 127 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 3: Scène: Allegro agitato - Molto meno mosso - Allegro vivace | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | F♯ Minor | 3 | 11A | 140 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM |
Section: 0.8530278205871582
End: 0.8599181175231934