"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo" by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1994. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 7 out of 15. Based on our statistics, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roma Orchestre Suite No.3: Andante molto | Georges Bizet, Paavo Järvi, Orchestre de Paris | C Major | 0 | 8B | 88 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Give Me Your Names | John Williams, Boston Symphony Orchestra | C Minor | 1 | 5A | 76 BPM | ||
Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 83 BPM | ||
Symphony No. 12 in D Minor, Op. 112 "The Year 1917": III. Aurora (Allegro) | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D Major | 2 | 10B | 91 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | E Major | 5 | 12B | 134 BPM | ||
String Quartet No. 1 in E minor "From my Life": 3. Largo sostenuto | Bedřich Smetana, Takács Quartet | A♭ Major | 0 | 4B | 174 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM |
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