"Estampes für Klavier, L. 100: No. 3, Jardins sous la pluie" by Manfred Reuthe had its release date on February 27, 2015. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Manfred Reuthe's "Manfred Reuthe - Klavier Solo I" album is number 15 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Estampes für Klavier, L. 100: No. 3, Jardins sous la pluie's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Estampes für Klavier, L. 100: No. 3, Jardins sous la pluie by Manfred Reuthe to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emmanuel (Fin des programmes d'Antenne 2) | Michel Colombier | E♭ Minor | 1 | 2A | 71 BPM | ||
Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï | A♭ Minor | 2 | 1A | 124 BPM | ||
Concerto Opus 64 | David Naulin, Robert Stepanian | E Minor | 3 | 9A | 87 BPM | ||
Blue Skies | Kris Bowers | C Major | 5 | 8B | 144 BPM | ||
Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Leonard Rose, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 87 BPM | ||
King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | ||
Walzer für Klavier in D-Flat Major, Op. 64, No. 1 | Manfred Reuthe | B Major | 3 | 1B | 84 BPM | ||
Delibes: Lakmé, Act I: "Dôme épais, le jasmin" (Lakmé, Mallika) | Léo Delibes, Natalie Dessay, Delphine Haidan, Michel Plasson, Orchestre Du Capitole De Toulouse | B Major | 2 | 1B | 132 BPM | ||
Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro) | Angelicum De Milan | A Minor | 3 | 8A | 138 BPM | ||
Drop It Like Bach! feat. DJ ReHash | DiceUploads | C Major | 6 | 8B | 130 BPM |