Angelicum De Milan made "Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro)" available on June 8, 2012. The duration of Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro) is about 3 minutes long, at 3:21. Based on our data, "Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "The Intouchables". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Based on our statistics, Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Vivaldi : Concerto Pour 2 Violons & Orchestre en La Mineur Op. III n°8 (Allegro) by Angelicum De Milan having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantos de España, Op. 232: No. 1, Prelude | Isaac Albéniz, Rafael Orozco | F Major | 1 | 7B | 69 BPM | ||
La Sainte-Chapelle (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | B♭ Major | 1 | 6B | 81 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
Violin Concerto In D Major, Op. 61: III. Rondo: Allegro | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | D Major | 1 | 10B | 118 BPM | ||
Sérénade pour cordes in E Major: II. Valse | Antonín Dvořák, Orchestre Bernard Calmel, Bernard Calmel | B Major | 2 | 1B | 88 BPM | ||
16 Concertos pour clavecin solo, Concerto pour hautbois in D Minor, BWV 974: II. Adagio - After Alessandro Marcello's Oboe Concerto in D Minor, S. Z799 | Laurent Aknin | D Minor | 0 | 7A | 131 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. | Frédéric Chopin, Menahem Pressler | F♯ Minor | 0 | 11A | 134 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze" | Wolfgang Amadeus Mozart, Sumi Jo, Ruth Ziesak, Heinz Zednik, Kurt Moll, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 107 BPM | ||
Má Vlast, JB1:112: II. Vltava | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 100 BPM |
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