Wolfgang Amadeus Mozart, Sumi Jo, Ruth Ziesak, Heinz Zednik, Kurt Moll, Wiener Philharmoniker, Sir Georg Solti's 'Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze"' came out on January 1, 1991. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Various Artists, Sir Georg Solti's "Mozart: Die Zauberflöte" album is number 5 out of 37. In terms of popularity, Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze" is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze" by Wolfgang Amadeus Mozart, Sumi Jo, Ruth Ziesak, Heinz Zednik, Kurt Moll, Wiener Philharmoniker, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Delibes: Lakmé, Act 1: Flower Duet - "Dôme épais le jasmin" (Lakmé, Mallika) | Léo Delibes, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
An der schönen blauen Donau, Walzer, Op. 314 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | D Major | 1 | 10B | 91 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 1: "Du feines Täubchen, nur herein!" (Monostatos, Pamina, Papageno) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | G Major | 1 | 9B | 79 BPM | ||
Messe in C-Moll, K. 427 "Große Messe" (Reconstructed by C. Kemme): I. Kyrie [Live] | Wolfgang Amadeus Mozart, Christina Landshamer, Bavarian Radio Chorus, Akademie für Alte Musik Berlin, Howard Arman | E Major | 6 | 12B | 98 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | F Major | 0 | 7B | 131 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Die Zauberflöte / Act 2: "Bewahret euch vor Weibertücken" - Dialog "He, Lichter her!" | Wolfgang Amadeus Mozart, Clemens Bieber, Hans Joachim Porcher, Michael Kraus, Uwe Heilmann, Wiener Philharmoniker, Sir Georg Solti | C Major | 1 | 8B | 116 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM |
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