Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík's 'Má Vlast, JB1:112: II. Vltava' came out on January 1, 1989. Má Vlast, JB1:112: II. Vltava appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Smetana: Má Vlast". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Má Vlast, JB1:112: II. Vltava is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Má Vlast, JB1:112: II. Vltava by Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, BWV 1059R: II. Adagio (Alessandro Marcello) | Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | D Minor | 0 | 7A | 91 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. by L. Stokowski for orchestra) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Major | 1 | 9B | 66 BPM | ||
Romeo And Juliet, Op.64 / Act 2: 28. Romeo At Friar Laurence's | Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 118 BPM | ||
Ancient Airs And Dances, Suite No. 3, [P. 172]: 4. Passacaglia | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Tamás Vásáry | D♭ Major | 0 | 3B | 131 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) | Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 137 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F♯ Major | 0 | 2B | 87 BPM | ||
Symphony No.3 in F Major, Op.90: 3. Poco allegretto | Johannes Brahms, Boston Symphony Orchestra, Bernard Haitink | C Minor | 0 | 5A | 86 BPM |
Section: 0.6011688709259033
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