"King Arthur, Z. 628: Act III "What power art thou"" by Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet was released on December 2, 2013. The duration of King Arthur, Z. 628: Act III "What power art thou" is about 3 minutes long, at 3:09. Based on our data, "King Arthur, Z. 628: Act III "What power art thou"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Purcell : King Arthur". In this album, this song's track order is #17. Furthermore, we believe that the track originated from France. In terms of popularity, King Arthur, Z. 628: Act III "What power art thou" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With King Arthur, Z. 628: Act III "What power art thou" by Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Indian Queen, Z. 630, Act III: Seek Not to Know What Must Not Be Reveal’d | Henry Purcell, The Sixteen, Harry Christophers, Julie Cooper | A Major | 1 | 11B | 108 BPM | ||
Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | D♭ Major | 0 | 3B | 75 BPM | ||
Trio in E-Flat Major, Op. 100, D. 929: II. Andante con moto | Ralph Holmes | C Minor | 0 | 5A | 70 BPM | ||
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
La boheme: Act I: Che gelida manina (Rodolfo) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | ||
Venezia | Mark Padmore | G Minor | 1 | 6A | 116 BPM | ||
O dive custos Auriacae domus, Z504 | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | F♯ Minor | 2 | 11A | 134 BPM | ||
Scarlatti, D.: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Mikhail Pletnev | D Minor | 2 | 7A | 135 BPM | ||
The Indian Queen, Z. 630 : Act Ii - Solo (Fame): Scorn'd Envy | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 1 | 1B | 114 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: a. Dies irae | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein | G Minor | 5 | 6A | 75 BPM |
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