Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein made "Requiem In D Minor, K.626: 3. Sequentia: a. Dies irae" available on January 1, 1976. With Requiem In D Minor, K.626: 3. Sequentia: a. Dies irae being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein's "Mozart: Requiem" album is number 3 out of 14. Requiem In D Minor, K.626: 3. Sequentia: a. Dies irae is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Requiem In D Minor, K.626: 3. Sequentia: a. Dies irae by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde - Concert Version: Prelude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 63 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B.178 "From the New World": 2. Largo | Antonín Dvořák, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 79 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Variation II: Più vivace | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 115 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 84 BPM | ||
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
Tchaikovsky : Violin Concerto in D major Op.35 : III Finale - Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | D Major | 2 | 10B | 82 BPM | ||
Romeo and Juliet, Fantasy Overture - TH.42: Love Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 95 BPM | ||
Hungarian Rhapsody No.2 In C Sharp Minor, S.244 | Franz Liszt, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 170 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Lilya Zilberstein, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 88 BPM |
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