Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker's 'Tchaikovsky : Violin Concerto in D major Op.35 : III Finale - Allegro vivacissimo' came out on 1993. Tchaikovsky : Violin Concerto in D major Op.35 : III Finale - Allegro vivacissimo appears to be safe for all ages as it is not explicit. The track order of this song in Maxim Vengerov, Claudio Abbado, Daniel Barenboim, Kurt Masur, Mstislav Rostropovich, Berliner Philharmoniker, Chicago Symphony Orchestra, Gewandhausorchester Leipzig, London Symphony Orchestra's "Maxim Vengerov - Great Violin Concertos" album is number 9 out of 26. Tchaikovsky : Violin Concerto in D major Op.35 : III Finale - Allegro vivacissimo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tchaikovsky : Violin Concerto in D major Op.35 : III Finale - Allegro vivacissimo by Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Fantastique, Op. 14: II. Un bal | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 166 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | Frédéric Chopin, Khatia Buniatishvili, Paavo Järvi, Orchestre de Paris | B♭ Minor | 1 | 3A | 118 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Partita for Violin Solo No. 2 in D minor, BWV 1004: IV. Gigue | Johann Sebastian Bach, Daniel Lozakovich | D Minor | 2 | 7A | 116 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 3 | 9B | 143 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | ||
Lalo: Symphonie espagnole, Op. 21: IV. Andante | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Major | 1 | 10B | 96 BPM | ||
String Quartet in E flat major: I Adagio ma non troppo | Fanny Mendelssohn, Quatuor Ébène | F Minor | 1 | 4A | 83 BPM |
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