"Symphonie Fantastique, Op. 14: II. Un bal" by Hector Berlioz, London Symphony Orchestra, Valery Gergiev was released on September 29, 2014. Since Symphonie Fantastique, Op. 14: II. Un bal is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Berlioz: Symphonie fantastique, Waverley by Hector Berlioz, London Symphony Orchestra, Valery Gergiev. The popularity of Symphonie Fantastique, Op. 14: II. Un bal is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie Fantastique, Op. 14: II. Un bal by Hector Berlioz, London Symphony Orchestra, Valery Gergiev is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Slovak Radio Symphony Orchestra, Anthony Bramall | D Major | 2 | 10B | 154 BPM | ||
Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Anakin's Betrayal | John Williams, London Symphony Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Bamberg Symphony, Jonathan Nott | E Major | 0 | 12B | 79 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto | Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Harold en Italie, Op. 16: 2. Marche des Pèlerins (Allegretto) | Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 82 BPM | ||
Apollo (1947 revision): Tableau II: Variation of Calliope | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Wallace Courts Murron | James Horner, London Symphony Orchestra | A Minor | 0 | 8A | 94 BPM |
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