"Lalo: Symphonie espagnole, Op. 21: IV. Andante" by Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra was released on September 1, 2003. Since Lalo: Symphonie espagnole, Op. 21: IV. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra's "Lalo: Symphonie Espagnole/Saint-Saens: Vln Cto/Ravel: Tzigane" album is number 4 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Lalo: Symphonie espagnole, Op. 21: IV. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lalo: Symphonie espagnole, Op. 21: IV. Andante by Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No.2 from "Namouna": No. 4, Pas des cymbales | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Nocturne in E-Flat Major, Op. 55, No. 2 | Frédéric Chopin, Lang Lang | E♭ Major | 0 | 5B | 65 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM |
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