"Carmen (Sung in Italian): Act II: No, tu non m’ami no (Carmen, Don Jose)" by Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno was released on September 1, 2015. The duration of Carmen (Sung in Italian): Act II: No, tu non m’ami no (Carmen, Don Jose) is about 3 minutes long, at 3:13. Based on our data, "Carmen (Sung in Italian): Act II: No, tu non m’ami no (Carmen, Don Jose)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Carmen (Sung in Italian): Act II: No, tu non m’ami no (Carmen, Don Jose) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen (Sung in Italian): Act II: No, tu non m’ami no (Carmen, Don Jose) by Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emperor Waltz, Op. 437 | Johann Strauss II, Eugene Ormandy | C Major | 1 | 8B | 92 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | A Major | 1 | 11B | 103 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
Section: 0.6399180889129639
End: 0.6444952487945557