Johann Sebastian Bach, Mstislav Rostropovich's 'Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: V. (a) Menuet I' came out on 1995. With Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: V. (a) Menuet I being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 7 in Bach: Cello Suite No. 2 in D Minor, BWV 1008 by Johann Sebastian Bach, Mstislav Rostropovich. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: V. (a) Menuet I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: V. (a) Menuet I by Johann Sebastian Bach, Mstislav Rostropovich is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Johann Sebastian Bach: Orchestral Suite #2 In B Minor, BWV 1067 - Badinerie | Pierre Monteux | B Minor | 2 | 10A | 129 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Jaap Schröder, Christopher Hirons, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 2 | 12A | 98 BPM |
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