Pierre Monteux made "Johann Sebastian Bach: Orchestral Suite #2 In B Minor, BWV 1067 - Badinerie" available on February 15, 2011. With Johann Sebastian Bach: Orchestral Suite #2 In B Minor, BWV 1067 - Badinerie being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 115 in Classic Masters (1956-1961) by Pierre Monteux. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Johann Sebastian Bach: Orchestral Suite #2 In B Minor, BWV 1067 - Badinerie's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Johann Sebastian Bach: Orchestral Suite #2 In B Minor, BWV 1067 - Badinerie by Pierre Monteux is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in G Major, K. 80: IV. Rondeau: Allegro | Eder Quartet | G Major | 1 | 9B | 118 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Scène - Danse lente et mystérieuse | Maurice Ravel, London Symphony Orchestra, Pierre Monteux | D♭ Major | 0 | 3B | 86 BPM | ||
Massenet: Manon, Act 1: "Voyons, Manon, plus de chimères" (Manon, Des Grieux) | Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique | F Major | 2 | 7B | 94 BPM | ||
Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux | B Major | 3 | 1B | 87 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Gigue in D major | Johann Pachelbel, Stuttgarter Kammerorchester, Karl Münchinger | D Minor | 1 | 7A | 134 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Devienne: Flute Concerto No. 7 in E Minor: II. Adagio | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | G Major | 0 | 9B | 84 BPM | ||
Violin Concerto No.1 in D, Op.6: 2. Adagio | Niccolò Paganini, Gil Shaham, New York Philharmonic, Giuseppe Sinopoli | B Minor | 1 | 10A | 92 BPM | ||
Don Quixote, Op. 35: Variation I. Gemächlich | Richard Strauss, Pierre Monteux, San Francisco Symphony | D Major | 1 | 10B | 86 BPM |
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