"Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale)" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus was released on November 1, 2004. The duration of Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) is about 3 minutes long, at 3:19. Based on our data, "Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prayer of St. Gregory, Op. 62b | Alan Hovhaness, Charles Butler, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 87 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | E♭ Major | 1 | 5B | 83 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 70 BPM | ||
Canteloube: Chants d'Auvergne, Series 3: No. 14, Lou boussu | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre de l'Association des Concerts Lamoureux | B Minor | 1 | 10A | 93 BPM | ||
Portman: The First Morning of the World | Rachel Portman, Joyce DiDonato, Maxim Emelyanychev | C Major | 1 | 8B | 93 BPM |
Section: 0.8281478881835938
End: 0.8324220180511475