Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi's 'Die Reise um die Erde in 80 Tagen (Version Without Narration): X. Die Riesentreppe bei Kearney' came out on September 23, 2022. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Suppé: Die Reise um die Erde in 80 Tagen (Version Without Narration)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. The popularity of Die Reise um die Erde in 80 Tagen (Version Without Narration): X. Die Riesentreppe bei Kearney is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Reise um die Erde in 80 Tagen (Version Without Narration): X. Die Riesentreppe bei Kearney by Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoristische Variationen uber das beleibte Fuchslied Was kommt dort von der Hoh? | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | G Major | 1 | 9B | 114 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Requiem: Sanctus: Benedictus | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 78 BPM | ||
Requiem: Tuba mirum | Franz von Suppé, Wolfgang Badun, Jugendsinfonieorchester de Bonn, Ouliana Tchaikowski, Danielle Michèle, Gilles Vitale, Jean-Louis Bindi, Bernard Lallement, Chorale franco-allemande de Paris | G Major | 1 | 9B | 78 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | ||
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM |
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