Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon made "Gopak from Sorochinsky Fair" available on 2000. With Gopak from Sorochinsky Fair being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Tamás Ungár, Philharmonia Orchestra, Geoffrey Simon's "Mussorgsky: Pictures at an Exhibition (Piano Concerto version), Pictures from Crimea" album is number 19 out of 25. Based on our statistics, Gopak from Sorochinsky Fair's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gopak from Sorochinsky Fair by Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Sylvia: Act I: Intermezzo | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Minor | 0 | 3A | 82 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | D Major | 1 | 10B | 121 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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