Benjamin Britten, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara's 'Rejoice in the Lamb, Op. 30: For I will consider my Cat, Jeoffry' came out on August 1, 2010. The duration of Rejoice in the Lamb, Op. 30: For I will consider my Cat, Jeoffry is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Rejoice in the Lamb, Op. 30: For I will consider my Cat, Jeoffry's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Bara's "Greater Love: The English Choral and Organ Tradition" album is number 15 out of 22. On top of that, United States appears to be the country where this track was created. Rejoice in the Lamb, Op. 30: For I will consider my Cat, Jeoffry is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rejoice in the Lamb, Op. 30: For I will consider my Cat, Jeoffry by Benjamin Britten, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
44 Duos For Two Violins, Sz. 98: 15. Katonanóta | Béla Bartók, Daniel Hope, Daniel Lozakovich | D Major | 0 | 10B | 0 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM |
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