"Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: III. Allegro" by George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields was released on January 1, 1988. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 11 out of 22. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: III. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: III. Allegro by George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sammartini: Recorder Concerto in F Major: I. Allegro | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | F Major | 1 | 7B | 119 BPM | ||
Symphony in A Major, Op. 2 No. 2 "Birthday Ode": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 141 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Burlesque de Don Quixotte - Son attaque des moulins à vent | Tafelmusik Baroque Orchestra | D♭ Major | 4 | 3B | 143 BPM | ||
Bassoon Concerto in A Minor, RV 497: III. Allegro | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | A Minor | 2 | 8A | 129 BPM | ||
Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 1 | 3B | 187 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM |
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