"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min" by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker was released on January 5, 2005. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Bavarian Radio Symphony Orchestra, Daniel Harding, Bavarian Radio Chorus, Robert Blank | F Major | 4 | 7B | 149 BPM | ||
Macbeth / Act III: Ballo: Allegro vivicissimo - Un poco ritenuto - Allegro - Andante - Allegro - Valzer. Allegro vivacissimo - Poco piu mosso - | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Major | 1 | 7B | 73 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker | C Minor | 2 | 5A | 99 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 132 BPM | ||
Stravinsky: L'Oiseau de feu, Tableau I: Introduction - Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 120 BPM |
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