Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min
Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker
Orff: Carmina Burana
0:52 January 5, 2005
BPM
99
Key
E Minor
Camelot
9A

Embed

Share Link

Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min - Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker Information

Acousticness
91%
Danceability
19%
Energy
22%
Instrumentalness
45%
Liveness
70%
Loudness
74%
Speechiness
3%
Valence
8%
Popularity
Loudness
-15.433 dB

Summary

"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min" by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker was released on January 5, 2005. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min BPM

With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pelléas et Mélisande, L.88 / Act 3: Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent"Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio AbbadoA Minor18A123 BPM
Cavalleria rusticana: Scena - Largo by Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von KarajanCavalleria rusticana: Scena - LargoPietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von KarajanC Major18B75 BPM
Carmina Burana / Fortuna Imperatrix Mundi: Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"Carl Orff, Bavarian Radio Symphony Orchestra, Daniel Harding, Bavarian Radio Chorus, Robert BlankF Major47B149 BPM
Macbeth / Act III: Ballo: Allegro vivicissimo - Un poco ritenuto - Allegro - Andante - Allegro - Valzer. Allegro vivacissimo - Poco piu mosso - by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio AbbadoMacbeth / Act III: Ballo: Allegro vivicissimo - Un poco ritenuto - Allegro - Andante - Allegro - Valzer. Allegro vivacissimo - Poco piu mosso -Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio AbbadoF Major17B73 BPM
Carmina Burana / 2. In Taberna: Carmina Burana / 2. In Taberna: "Olim lacus colueram"Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony ChorusD Major210B81 BPM
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by Ludwig van Beethoven, Sir Simon Rattle, Wiener PhilharmonikerBeethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brioLudwig van Beethoven, Sir Simon Rattle, Wiener PhilharmonikerC Minor25A99 BPM
Humperdinck : Hänsel und Gretel : Act 1 Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father]Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony OrchestraE Major112B163 BPM
Symphony No.8 in E flat - Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied"Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg SoltiF Major17B85 BPM
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen by Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner PhilharmonikerBrahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragenJohannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner PhilharmonikerG Major19B132 BPM
Stravinsky: L'Oiseau de feu, Tableau I: Introduction - Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch by Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony OrchestraStravinsky: L'Oiseau de feu, Tableau I: Introduction - Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu, poursuivi par Ivan TsarévitchIgor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony OrchestraC Major18B120 BPM
ISRC
GBAYC0402187
Label
L-M Records/RCA Records

Section: 0.6116001605987549

End: 0.6155602931976318