"Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen" by Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker was released on 2007. Since Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Brahms: Ein deutsches Requiem by Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen by Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rutter: Requiem: Requiem aeternam | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia | G Major | 1 | 9B | 70 BPM | ||
Tannhäuser, WWV 70 / Act III: "Wie Todesahnung... O du mein holder Abendstern" | Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 104 BPM | ||
Britten: Serenade, Op. 31: VI. Hymn | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 2 | 6A | 157 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Requiem in D Minor, K. 626: 2. Kyrie - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Minor | 5 | 7A | 97 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 3 Tableau 4: "Salve Regina" (La Foule, Les Carmélites) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | G Minor | 1 | 6A | 89 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Requiem in D Minor, K. 626: 7. Agnus Dei - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | F Major | 1 | 7B | 108 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 2 | 7A | 171 BPM |
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