- BPM
- 97
- Key
- D Minor
- Camelot
- 7A
Requiem in D Minor, K. 626: 2. Kyrie - Live - Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen Information
- Acousticness
- 97%
- Danceability
- 38%
- Energy
- 49%
- Instrumentalness
- 86%
- Liveness
- 9%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 54%
- Popularity
- 45%
- Loudness
- -13.597 dB
Summary
Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen made "Requiem in D Minor, K. 626: 2. Kyrie - Live" available on January 1, 1999. The duration of Requiem in D Minor, K. 626: 2. Kyrie - Live is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Requiem in D Minor, K. 626: 2. Kyrie - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Karita Mattila, Sara Minguardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir's "Mozart: Requiem" album is number 2 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Requiem in D Minor, K. 626: 2. Kyrie - Live is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Requiem in D Minor, K. 626: 2. Kyrie - Live BPM
We consider the tempo marking of Requiem in D Minor, K. 626: 2. Kyrie - Live by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Requiem in D Minor, K. 626: 2. Kyrie - Live Key
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | |
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 | Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Veronika Winter, Johanna Koslowsky, Kai Wessel, Markus Brutscher, Hans-Georg Wimmer, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A♭ Major | 0 | 4B | 130 BPM | |
 | Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | |
 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 82 BPM | |
 | Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | |
 | Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | |
 | Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM |
- ISRC
- DEF059930102
- Label
- L-M Records/RCA Records
Section: 0.5777406692504883
End: 0.5824582576751709