Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "Vaya un Pie Chiquitito y Bonito..."' came out on December 3, 2013. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #2 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "Vaya un Pie Chiquitito y Bonito..."'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since María Manuela: "Vaya un Pie Chiquitito y Bonito..." by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "Vaya un Pie Chiquitito y Bonito..." being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: "Catalina y coro general" | Coros Cantores De Madrid, Julita Bermejo | E Minor | 3 | 9A | 108 BPM | ||
Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
La Boheme, zweiter Akt: Quando Men vo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Tango De La Luna | Mantovani y Su Gran Orquesta | G Major | 4 | 9B | 131 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro | Pablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel Ortega | B Major | 1 | 1B | 108 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM |
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