María Manuela: "Vaya un Pie Chiquitito y Bonito..."
Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica
Zarzuela: María Manuela
3:53 December 3, 2013
BPM
121
Key
C Minor
Camelot
5A

Embed

Share Link

María Manuela: "Vaya un Pie Chiquitito y Bonito..." - Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica Information

Acousticness
81%
Danceability
49%
Energy
40%
Instrumentalness
0%
Liveness
7%
Loudness
88%
Speechiness
6%
Valence
32%
Popularity
Loudness
-6.963 dB

Summary

Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "Vaya un Pie Chiquitito y Bonito..."' came out on December 3, 2013. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #2 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "Vaya un Pie Chiquitito y Bonito..."'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

María Manuela: "Vaya un Pie Chiquitito y Bonito..." BPM

Since María Manuela: "Vaya un Pie Chiquitito y Bonito..." by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "Vaya un Pie Chiquitito y Bonito..." being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.

María Manuela: "Vaya un Pie Chiquitito y Bonito..." Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Rosa del Azafrán: La Rosa del Azafrán: "Catalina y coro general"Coros Cantores De Madrid, Julita BermejoE Minor39A108 BPM
Erinnerung an Sorrent by Rudolf SchockErinnerung an SorrentRudolf SchockC Major48B84 BPM
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt by Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf BiblDie Fledermaus: Act II: Introduction: Ein Souper heut' uns winktJohann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf BiblF Major17B94 BPM
La Boheme, zweiter Akt: Quando Men vo by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-PradelliLa Boheme, zweiter Akt: Quando Men voCoro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-PradelliF♯ Minor511A62 BPM
Tango De La Luna by Mantovani y Su Gran OrquestaTango De La LunaMantovani y Su Gran OrquestaG Major49B131 BPM
La del Soto del Parral by Orquesta Y Coros MontillaLa del Soto del ParralOrquesta Y Coros MontillaD Major210B92 BPM
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) by Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-ComiqueLes Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains)Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-ComiqueC Minor15A72 BPM
La del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiro by Pablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel OrtegaLa del manojo de rosas: Act II: Que esta esto muy bajo? Pues yo no me tiroPablo Sorozábal, Carlos Álvarez, Ana Ibarra, Galicia Symphony Orchestra, Miquel OrtegaB Major11B108 BPM
Tre giorni son che Nina by Giovanni Battista Pergolesi, Carlo Bergonzi, Felix LavillaTre giorni son che NinaGiovanni Battista Pergolesi, Carlo Bergonzi, Felix LavillaG Major19B133 BPM
5 Sonnets from 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were ChildrenCharles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John AndrewsE Minor09A170 BPM
ISRC
ES5831303204
Label
L-M Records/RCA Records

Section: 0.5701994895935059

End: 0.5740194320678711