Rudolf Schock's 'Erinnerung an Sorrent' came out on November 18, 2022. The duration of Erinnerung an Sorrent is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Erinnerung an Sorrent's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 20 in Dein ist mein ganzes Herz by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Erinnerung an Sorrent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Erinnerung an Sorrent by Rudolf Schock is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grafin Mariza (Countess Mariza), Act I: Gruss mir mein Wien | Emmerich Kálmán, Rudolf Schock, Studio Orchestra, Wilhelm Schüchter | E Major | 2 | 12B | 78 BPM | ||
Kálmán: Die Csárdásfürstin, Act II: "Ja, ich weiss" - "Ich warte auf das grosse Wunder" - "Machen wir's den Schwalben nach" | Emmerich Kálmán, Rudolf Schock, Frank Fox, Berliner Symphoniker | G Minor | 4 | 6A | 82 BPM | ||
Chanson Epique from DonQuichotte a Dulcinee | Γιάννη Yang | D♭ Major | 5 | 3B | 137 BPM | ||
Hoffmanns Erzählungen: Wohlan, nur Mut und Vertrauen | Jacques Offenbach, Kölner Rundfunk-Sinfonie-Orchester, Rudolf Schock, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Torna A Surriento | Ernesto de Curtis, The Ten Tenors, Orchestrated by Steven Baker, Orquesta de RTVE | E♭ Major | 3 | 5B | 67 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
A la Virgen de Montserrat, Patrona de Cataluña: Canción Sardana (Moreneta, Moreneta) | Marta Santa-Olalla | G Major | 3 | 9B | 106 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Still wie die Nacht, Op. 326 No. 27 | Karl Böhm, Rudolf Schock, Napoli MandolinOrchestra, Otto Dobrindt | D Major | 2 | 10B | 86 BPM | ||
Paquette y Claudio / Plaza de la Greve / Aparición de Esmeralda / Tentación de Claudio / Rapto de Esmeralda | Angel Mahler, Pepe Cibrián Campoy | E Minor | 4 | 9A | 80 BPM |
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